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Rome total war gold edition windows 81/10/2024 In the lower part of the screen a message informs us that the images from the Vatican are being retransmitted live. The image on the TV blinks and the faces of the people crying in Vatican City are distorted for a second, taking on a vaguely extraterrestrial quality. The bottles and the ice bucket on the little table with wheels tinkle. I feel safer in here.”Ī clap of thunder, much stronger than any of the thunderclaps that had sounded since the storm materialized over the beach and the hotels of Camber Sands, makes everything tremble. “And I don't like the medication they give me to make me like windows. His hand emerges from between the pieces of furniture that make up his hiding place, grabs a bottle of Macallan, and disappears again into the shelter. Loaded with liquor bottles and smaller soft-drink bottles and an ice bucket. Beside Giraut's shelter there is also a little table with wheels. It is a complex of apartments that are rented out to tourists for two weeks at a time. The Hotel in the Sands isn't really a hotel. A phone cord comes out of the suite's telephone socket and winds along the floor before disappearing into the shelter made of furniture where Lorenzo Giraut is. Several feet from where Giraut is, more or less in front of the armchair where the American Liaison is sprawled out, a muted television shows images of people crying inconsolably and hugging each other in Vatican City. “Is it completely necessary that you do that?” The waves tossed the boat like a goddamn toy.” He looks at Giraut and frowns. “I was once in a storm at sea.” The American Liaison drums his enormous fingers on his enormous belly and nods to himself. With his legs completely extended and his back low in the chair and his fingers interlocked on his belly. The exact term is “sprawled out.” There is something particularly American in the way the American Liaison is sprawled out. Giraut moves his mirror, stopping when he has a good perspective on the American Liaison seated in one of the armchairs of the suite's living room. Someone clears their throat at the other end of the room. Because this night in 1978, this stormy night in Camber Sands, is The Night That Ends Lorenzo Giraut's Life As He Knows It. Those moments that one associates with Fate. In dramatically crucial moments that change one's life completely. The sky of Camber Sands on this September night in 1978 is one of those skies you see in dramatically crucial scenes. There are bursts of intense blue electric sparks here and there. The clouds filled with eddies and whirls are like a brain. It's that color that skies turn when a late-afternoon storm generates a state somewhere between day and night. The color of the sky isn't particularly diurnal nor particularly nocturnal. Seated with his legs crossed on the floor of the living room of the Hotel in the Sands, beneath his mattress, Lorenzo Giraut moves the little mirror until he has a good view of the Camber Sands sky. Filled with places that are somewhere else or at some other time or that simply aren't. It's the same with the Fishing Trophy Room. In the here and now, in 1978, the Old Map Store no longer exists or doesn't yet exist or perhaps has never existed. Not the same Camber Sands that will appear almost thirty years later in the Filial Dream about Camber Sands. He is sitting on the floor of the shelter, looking at the sky on the other side of the window with a little mirror taken from the suite's bathroom. In the middle of the living room of his suite at the Hotel in the Sands at Camber Sands, Lorenzo Giraut has built some sort of small shelter using various pieces of furniture and the mattress from his bed. Those brains that crackle and spark and bubble, their irregular surfaces covered with small electrical charges. The sky of Camber Sands looks like those brains that live in a tank surrounded by machines. Wear sensible shoes and always say thank you. Accursèd! Accursèd be it to the æons! Hell. There is no bond that can unite the divided but love: all else is a curse.
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